Before the start of the exhibition, the artist did not produce the so-called "work", and did not change the state of the existing space. Even after the exhibition began, the iron gate in front wasn't completely opened.
All spectators who entered the exhibition hall made reservations through the Internet, received the keys sent by the artist in advance, and opened the door from the back door to enter by themselves. The artist does not produce artwork, the artist copies the keys and mechanically sends daily letters to the audience who come by appointment.The artist only arranges objects, arranges himself to be no longer an artist but more like a curator, arranges a fluorescent lamp, arranges a Qrcode, arranges a LED marquee for subtitles, and also has manuscript paper. The display of objects produces words and discourses for the exhibition, with the exception of manuscript paper. The manuscript paper leaves every viewer who is willing to write and write, some thoughts about the empty exhibition, the existing space, and how to watch it. At the same time, it also raises another question and question about the way the artist thinks about the exhibition. The space no longer exists as a booth or a covered object, but also becomes a subject object through the empty exhibition.